An excerpt from the PANZ Newsletter, June 2022:
On April 3, I was awarded First Prize for this painting in the Pastel Artists of New Zealand (PANZ) annual exhibition – Purely Pastel. The judges commented on the story it tells of railways in New Zealand. The wagon is waiting to be restored by the vintage railway enthusiasts in Gisborne. I’ve seen it loaded with gravel, but you can tell it hasn’t been going anywhere for quite some time. The judges liked the pop of the colour of the wagon against the blue of the sky. The exhibition is at Pataka Art + Museum and runs until 15 May. Another of my paintings was used on all the promotion material (Harper Road). Gisborne Herald reporter Jack Marshall wrote an article about this: click here to read it. The painting sold on the second day of the exhibition.
On April 21 I learned I had attained APANZ status – artist member of the Pastel Artists of New Zealand. This attainment is based on a points system. Points are awarded for success and recognition in various forums – juried exhibition acceptances, prizes, publications etc.
In July, two of my paintings were accepted into a juried international exhibition, Make Your Mark! hosted by the Pastel Society of Southern California. I’m a member of this society. There were 373 entries from which 123 were chosen.
Also in July I was elected a juried Associate Member of the Pastel Society of America.
On 31 July the Gisborne Artists, Potters and Photographers exhibition opened at the Tairāwhiti Museum. Three of my paintings were selected for this exhibition. The exhibition runs until 19 September.
In August, two more of my paintings were accepted into an international juried exhibition, Pure Color 5th Annual Online Competition hosted by the Pastel Society of North Carolina. There were 873 entries, from which 175 were chosen.
On 3 April 2020 my exhibition East, Of The Sun was to have opened at the Tairawhiti Museum in Gisborne. Before I could get the paintings down there, New Zealand went into Level 4 COVID-19 lockdown. The Museum closed its doors. On Monday 11 May our Prime Minister Jacinda Adern announced that on Thursday 14 May the country would go to Level 2 lockdown, and that Museums could re-open. I took my paintings to the Museum, and the exhibition opened on 15 May 2020. Here are the press releases:
* The Gisborne Herald
* Tairawhiti Museum
This painting was awarded second place in the open section of the PANZ Journal challenge in August 2019. I was painting landscapes for my 2020 exhibition East, of the Sun, and felt like doing something different. I wandered down to the Gisborne rail yards one morning, and was immediately captured by the colour of these wagons, the complexity of the rust and wear, and all the tiny details of the machinery. In the background is the shed which houses the Gisborne vintage train WA165. I’ve taken a ride on WA165 out to the beach loop at Muriwai. I was smiling all the way – the smell of the smoke and the chug chug of the engine, the clickety-clack going along the tracks, and the stunning scenery, including going across Gisborne airport runway.
Pastel on Canson mi Tientes, NZ$680
This painting, entitled “Tucked Away, Matawhero” of a small shed in a field on Bloomfield Road near Gisborne was awarded a merit prize in the national PANZ exhibition Purely Pastel. The exhibition was held at the Percy Thomson Gallery in Stratford in March/April. One of the judges, Karol Oakley, did a walk-through of the gallery talking about the winning paintings. She said this one had “jumped off the wall” the moment she walked into the gallery. She said the focal point (the shed) was the lightest spot near the darkest spot which gives the picture some drama, and the fenceline pulls your eye towards the focal point. She loved the fun colours of the fence posts.
Currently in the Tairawhiti Museum as part of my 2020 exhibition East, of the Sun.
In April 2018 I won the open section of the PANZ Journal challenge with this painting. I started painting it as an ordinary seascape, but soon realised there wasn’t enough of a focal point to hold the viewer’s interest. I’d just been reading about Aurelio Rodriguez Lopez whose paintings have a little twist, or a catch which pulls you in and holds you. I decided to try something. I took the painting off the easel, lay it down on a table outside, placed my cup of lemon verbena tea, some shells (because it’s a seascape), some pastels, and the corner of the photograph I was using as a reference for the painting right on top of the painting. I photographed the setup, and then put the painting back on the easel to complete it as you see here. Rather than only putting the pastel sticks I was using for the seascape in the foreground as if I had just stopped for a cuppa while working, I decided to place pastels that I would need to paint the still life in the foreground, just to tease the viewer. I also made the maroon/brown pastel in the right foreground look as if its dust has just fallen on the paper after using it to brush across the bottom section. It was so much fun thinking about how to do this – I was grinning while I worked on it. My friend Travis Lapointe who’s a surfer here suggested I call it “Painting Break” as there’s a wave break in the seascape, and the subject is taking a break from painting. Thanks Travis.
Pastel on Canson mi Tientes, 89 x 68cms framed. NZ$890
I was invited to put a piece in the Gisborne Contemporaries Exhibition “Seeing Angels.”
In August 1990 I had a small exhibition at Tairawhiti Museum of photographs.